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All the things you are, Intermadiate
All the things you are, Intermadiate
measure 10 and 19 shows the same description even notes are different, why?
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Re: All the things you are, Intermadiate
Fm7 = F, Ab, C, Eb.
In measure 10, this is a common jazz voicing. The 5th is the least important chord member because it is naturally produced as an overtone from the root, F. So here you have 1, 3, 7.
In measure 19, this is known as a rootless voicing. You see C, Eb and Ab, or, 5, 7, 3. It's probably like this for ease of hand position. It's the same notes without the F, and the bass is playing the F, so it's not always necessary.
In measure 10, this is a common jazz voicing. The 5th is the least important chord member because it is naturally produced as an overtone from the root, F. So here you have 1, 3, 7.
In measure 19, this is known as a rootless voicing. You see C, Eb and Ab, or, 5, 7, 3. It's probably like this for ease of hand position. It's the same notes without the F, and the bass is playing the F, so it's not always necessary.
- sw1tch73ch
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Re: All the things you are, Intermadiate
Something to remember is that the 7th chord, in its most basic usage, is a four note chord. In the two measures, you have only three notes of the Fm7 actually voiced. So the fourth member of the chord is implied or covered by something in the accompaniment. Fm7 is an F minor with the 7th added > (F, Ab, C) + Eb. In the two measures you have three of these four actually played, but a different member of the Fm7 is left out - the C in measure 10 and the F in measure 19.
Also, measure 10 is in Root position and measure 19 is in 2nd Inversion. They look different, but have the same soul, if you will.
Also, measure 10 is in Root position and measure 19 is in 2nd Inversion. They look different, but have the same soul, if you will.
== Just keep playing. Just keep playing. Just keep playing, playing, playing! ==
-- jbs --
-- jbs --
Re: All the things you are, Intermadiate
Wau, thank you, I have a lot to learn though
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Re: All the things you are, Intermadiate
Yes John, in the second example, the bass is covering the F.
However in the first example, it's possible that no other instruments are playing C. It's the least important chord member because it's a naturally produced overtone. Also, it doesn't provide any harmonic information that differs this harmony from Fmajor7 or F7 - they all have a C.
However in the first example, it's possible that no other instruments are playing C. It's the least important chord member because it's a naturally produced overtone. Also, it doesn't provide any harmonic information that differs this harmony from Fmajor7 or F7 - they all have a C.
- sw1tch73ch
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Re: All the things you are, Intermadiate
That's what I meant by implied. It's like your ears hear it whether it's there or not.andrewwegierski wrote: ↑Mon Jan 28, 2019 5:40 pmYes John, in the second example, the bass is covering the F.
However in the first example, it's possible that no other instruments are playing C. It's the least important chord member because it's a naturally produced overtone. Also, it doesn't provide any harmonic information that differs this harmony from Fmajor7 or F7 - they all have a C.
== Just keep playing. Just keep playing. Just keep playing, playing, playing! ==
-- jbs --
-- jbs --
Re: All the things you are, Intermadiate
as a beginner I am still confused, honestly I would be less confused if I dont have those letters bellow. For example why note E has b symbol twice?
Last edited by pavel on Sat Feb 02, 2019 10:30 am, edited 1 time in total.
Re: All the things you are, Intermadiate
another example
apart from that, again doubling b symbolRe: All the things you are, Intermadiate
Cm7 is perfect example why I am strugling
btw another b symbol twice but only for Cm7 (next to clef) not for Abmaj7 where it is more useful (if any)Re: All the things you are, Intermadiate
my brain hurts hope you know that sketch from Monty Python, answer to my question, because
Fm7 = F Ab C Eb
but also
Fm7 = Ab C Eb F
Fm7 = C Eb F Ab
Fm7 = Eb F Ab C
and sometimes there is least important chord member, as a result we can have
Fm7 = F Ab Eb
or member covered by something in the accompaniment, as a result we can have
Fm7 = C Eb Ab
are my assumptions right?
Fm7 = F Ab C Eb
but also
Fm7 = Ab C Eb F
Fm7 = C Eb F Ab
Fm7 = Eb F Ab C
and sometimes there is least important chord member, as a result we can have
Fm7 = F Ab Eb
or member covered by something in the accompaniment, as a result we can have
Fm7 = C Eb Ab
are my assumptions right?